Thursday, February 19, 2015

It's all in the Beat


Plaid scarves woven by Judite Vagners

Like in music, beat plays a significant role in how satisfied you will be with your finished woven product. Recently one of our very experienced weavers, Judite  Vagners, wove these 2 scarves in a very fine wool yarn. The same pattern, the same yarn was woven at two different setts. One at 20 epi (threads per inch) the other 30. Of course, the one at 20, ended up being wider than the first, but also of note is that the one at 20 had a much more supple hand than the one woven at 30.

Baby Blanket in 2/8 space dyed cotton (available in the weaving class) by Susan Abrams. A waffle weave, sometimes called honeycomb. This weave structure is often used for tea towels and baby blankets. 

The closeness of the threads both in the warp and weft, combined with the weave structure as well as the purpose of the textile, will determine it's suppleness or lack of. If we want a rug or placemat that is hard wearing then of course, something with more rigidity and hardness will be more suitable. If we want a scarf or baby blanket, softness and suppleness are critical. How does one determine with precision such outcomes? My standard answer is sampling and experience.  If you work with one fibre mostly, you will get to know the characteristics of that yarn and what works best for it. If you are always making rugs, then of course, beating hard is necessary, but not for a delicate silk scarf. Mindfulness to these elements as well as a little common sense will prevent a lot of disappointment down the road.


Other Weaving Happenings 

Erin Lewis will be giving a talk on Fibre Optics in weaving and her work at the Burlington Weavers and Spinners. Monday Mar 2 2015 7pm-10.

Susan Middleton, tapestry weaver, will be giving a talk/presentation on her work at the Toronto Weavers and Spinners at Riverdale Park 7:30 pm. 

I (Line Dufour) will be giving a talk on the direction of my work at the Etobicoke Guild of Weavers and Spinners at Nielson Park April 7 2015 at 7pm. 


Karen Bota Really good tutorial for a beautiful colourful scarf on the rigid heddle loom
thebluebrick.ca/2015/02/15/tutorial-the-colour-shifting-scarf 


Tom Mae writes: We are having a special screening sponsored by our co-producer, Tartu College on Feb 28, 2015 Keepers of the Loom Documentary Film Special Screening
310 Bloor St W, Toronto, ON M5S 1W4 (enter off Madison Avenue entrance on the west side of building). 2014 marked the 70th anniversary of the 1944 mass exodus from Estonia, Latvia and Lithuania, that was triggered by the Soviet advance into the Baltics. 
“Keepers of the Loom” is a documentary film focusing on the Estonian Women’s stories of the Baltic Diaspora, of how they kept their culture and heritage alive through the making of their folk clothing and handcrafts.
 keepersoftheloom.com You can see the trailefor the film there. Tickets can be purchased here:  http://keepersoftheloom.com/?w=a00sd#sect15
In June 2015 I am taking a group to Florence Italy to the Fondozione arte Della Seta Lisio http://www.fondazionelisio.org/ for a one week historic jacquard weaving workshop along with guided museums visits that relate to the textiles we will be studying, including the Uffizi, where we will be looking at paintings that render with great detail the luxurious textiles produced during the Renaissance, and which Lisio reproduces for their patrons. If you are interesting in joining me in June 2016 please contact me at linedufour.tapestry@gmail.com. 


artist: Bronzino. 
Jacquard loom on display at Lisio. 

Don't forget their are 2 one week wonderful weaving workshops being offered in August 2015. 

Tablet Woven borders with Embellishments by Inge Dam 
August 10-13 2015 $350.

Inge Dam is known for her meticulously crafted and artistically hand dyed woven yardages with card woven embellishment inserts,  from which she creates luxurious  garments . She has garnered many awards for her weaving and has taught extensively, in particular throughout the United States, including for many Convergence conferences, organized by the Handweavers Guild of America. She has recently authored a book on her techniques, Tablet-Woven Accents for Designer Fabrics Contemporary Uses for Ancient Techniques which you can purchase from her at any time.  
Through her studies of ancient textiles Inge became fascinated with the concept of weaving tablet woven borders jointly with a piece of fabric on the loom. This technique was used on many of the ancient garments she  studied. Students will be introduced to this type of weaving through a brief introduction to its history and hands on practice. They will set up a loom with a simple weave structure and learn how to make a tablet warp and how to arrange it beside the fabric warp so the border and the fabric can be woven together using only one shuttle, rather than attached separately. The students will also be taught how to avoid tension problems between the border warp and the fabric warp and how to accommodate for the differences in the take up of the two weaves. A simple tablet weaving technique will be employed and the students will learn how to add embellishments to the tablet woven border, such as tassels, twining, beads at the edges and on the surface, braiding overlay, wrapped warp ends, loops, Ghiordes knots, and brocading.
Level of expertise : participants should know how to weave plain weave and 4-shaft straight twill. 
Location:         Burr House, 530 Carville Road, Richmond Hill 
Time: 10am – 4pm
Maximum: 12
RSVP by June 1 2015
Cost: $350 plus $2 material fee

 [] Send Cheque for $350 to Line Dufour, 
25 Beckett Ave, Holland Landing L9N 1E6. tapestryline@sympatico.ca

Woven Drawings with Nieves Carrasco. 
August 17-21 2015
Woven Drawings workshop: Nieves Carrasco                               August 17 to 21 2015 

For her exhibition "Woven Drawings" at the David Kaye Gallery in January 2014, Nieves wanted to bring the universe of drawing, printing, and painting into weaving by using paper in the weft.
It took a lot of experimentation to develop a technique that she thought was suitable aesthetically and technically, which she will share with you during this workshop.  
During this workshop participants will weave narrow samples (approximately 6 inches wide) using paper that has been drawn and painted on, in the weft. By the end of the workshop each participant should have at least one sample finished and mounted, ready for framing. Two or more samples will be assembled to explore creating larger pieces out of narrow modules.
The workshop is divided into two parts. The first part will be dedicated to learning the techniques required to prepare the paper and weave a few samples. Once the techniques are learned, participants will have time to explore the possibilities of what they can do with the techniques acquired with a new set of paper sketches and samples. 
Location: Burr House, 530 Carville Road, Richmond Hill 
Time: 10am – 4pm
Maximum: 12
RSVP by June 1 2015
Cost: $350 plus material fees

 [] Send Cheque for $350 to Line Dufour, 25 Beckett Ave, Holland Landing L9N 1E6. linedufour.tapestry@gmail.com. 


If you have weaving news share, don't hesitate to send it along. If you would like to have your weaving article posted, you are welcome to do so, please no larger than 500 words.

Thursday, February 5, 2015

Growth


left to right: Louise Lemieux Berube, Line Dufour, Suzanne Chabot (the Director of the CTCM/MCCT) and Isabelle Sentenne (who teaches machine knitting and does the jacquard weaving for the centre.)

In biology, growing is defined as " the process of an individual organism growing organically; a purely biological unfolding of events involved in an organism changing gradually from a simple to a more complex level" and today this is my theme for this blog as it applies not only to my recent endeavours but also to the lives of some of the people whose path have crossed mine over the the years of my teaching weaving, as you'll see as you read on. Growth occurs if proper nutrients, environment and support are provided. Over the last several years I can gladly say that many factors have positioned themselves into enabling me to grow as an artist in my area and in developing flourishing relationships. This is evidenced in the ongoing expansion of the Fate, Destiny and Self Determination international tapestry installation, as more shapes  continue to come in worldwide.  The installation continues to accept submissions indefinitely and if you'd like to participate please contact me at linedufour.tapestry@gmail.com. 

This past weekend I was in Montreal, Quebec, Canada setting up the exhibition Fate, Destiny and Self-Determination/le sort, le destin et l'auto-determination at the Montreal Centre for Contemporary Textiles/Le Centre de Textiles Contemporain de Montreal.  It's weaving school and the size of the weaving classroom is about 4 times the size of the weaving class at the Toronto Weaving School. The school was co-founded by Louise Lemieux Berube over 25 years ago and over the years they have worked hard at having the entity grow into the exciting institution it is. They offer summer workshops and master classes as well as formal training in collaboration with other educational institutions such as Concordia University and a CEGEP. They have wonderful teachers, not only knowledgeable about their textile area, but are also very engaging.  Besides weaving, they also offer machine knitting, dyeing and other textile related workshops. To know more about their programming go to http://www.textiles-mtl.com/en/. 

Susan Middleton, Louise Lemieux Berube, and Line Dufour
I departed for Montreal last Wednesday night after my evening class. I was very grateful that Lis Baston, a participant in the class, even drove me to the airport! Susan Middleton, a former tapestry student,  who herself has grown her tapestry practice through numerous exciting tapestry journeys, forays and workshops, joined me to assist in mounting the show, and somehow ended up being the official documenter and photographer of the entire undertaking. Susan is herself an accomplished tapestry weaver. To see the entire process of setting up the show on Facebook go here

The number of students in the weaving class has also grown, and so has the waiting list to get into the class. The students really grow in their abilities and confidence while they are taking the classes, along with enjoying a pleasant social environment. Over the time they spend with me I sometimes have the privilege of them sharing their life events and this one from Avril Loretti was especially heartwarming for me: 

Hi Line!
Here are a few photos of us with the baby blanket i made last spring:)My friend that i made the other two for keeps telling me how everyone stops her in the street to ask where she bought the blankets! I might have to start going into the baby blanket business soon:)



Avril with her new baby (arrived just before Christmas) wrapped in her baby blanket!

Ginette Robert shows us the overshot tablecloth her mother wove for her. It has to be 10 or 12' and woven on a 100" floor loom. 
Growing our weaving practice can also happen by joining your local weaving guild, or becoming a member of the Canadian Tapestry Network, and the American Tapestry Network as well as the Handweavers Guild of America.  Here you will network with many other weavers, both traditional and innovative, and with an inspiring practice. Handwoven magazine offers you many step by step projects, a good way to introduce yourself to the many weave structures that populate its traditions. 



Scarf woven by Helen Skelton. 
Entering call for entries is a good way to launch grow your reputation as a weaver/fibre artist and as it happens there is one to enter which you can learn about if you go to the Tapestry/Exhibition blog. 

Double weave plaid cape woven by Iris Koczerginski 

Chenille Scarf woven by Carole Hibbert on her knitters loom.

Colour sampler woven by Julia Pelenyi. 
Presently many of the students are weaving a colour sampler to use a reference so we'll be seeing lots of them in the weeks to come. It's a great way to grow your colour repertoire, especially if you are colour challenged or have a hard time imagining what colours look good together. It's also helpful if you find yourself always choosing the same old colours time and time again. In addition, if you are weaving things for other people, you can give them something to help them pick the colours they would like to use. 

RESOURCES 
Are you interesting in writing small educational articles for the Toronto Weaving School or any interesting info and opportunities for weaving? 
I am taking any articles  from weavers on any topic related to  weaving. The article should not exceed 500 words, which is a manageable amount considering how busy we are. Up to two photographs per article. 

Nieves Carrasco writes:
 "Hi Line, I'm so glad I finally went to your weaving school! It has a wonderful atmosphere, great to see all those looms and the people that were there this morning seemed to be enjoying themselves a lot.: She  referred us to this recent book:
The Peruvian Four-Selvaged Cloth: Ancient Threads / New Directions Paperback – 
Feb 1 2014 by Elena Phipps Publisher: Fowler Museum at UCLA (Feb. 1 2014)

In 1975 Simon Waegemakers co-founded the Textile Museum of Canada located in Toronto,  with Max Allen. Susan Middleton tells me that Simon now gives lectures through the Continuing Education department and the University of Toronto's St. Michael's College. The next series of talks comes up soon: 
THE UNCOMMON HISTORY OF EVERYDAY ITEMS
Umbrellas, bags, knitting, lace and hats - a discussion of how textile objects we take for granted often have an exalted background. Many everyday items were once symbols or expressions of status or wealth, and those we now commonly use in the western world often have roots in non-western societies.
FAA8-S
Fri. 27 Mar 2015 - Fri. 1 May 2015
10 hours - 10:30 AM to 12:30 PM
Instructor: Simon Waegemaekers
Fee: $150.00
to register 
http://ce.stmikes.utoronto.ca/coursedescription.asp?courseid=738
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